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Literary Topics
764. Originality; Writing
"The occasional poet is circumscribed by the narrowness of his
subject. Whatever can happen to man has happened so often, that
little remains for fancy or invention. We have been all born;
we have most of us been married; and so many have died before
us, that our deaths can supply but few
materials for a poet. In
the fate of princes the public has an interest; and what happens
to them of good or evil, the poets have always considered as
business for the Muse. But after so many inauguratory
gratulations, nuptial hymns, and funeral dirges, he must be
highly favoured by nature, or by fortune, who says anything not
said before. Even war and conquest, however splendid, suggest no
new images; the triumphal chariot of a victorious monarch can
be decked only with those ornaments that have graced his
predecessors."
Johnson: Dryden (Lives of the Poets)
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1,225. Originality; Plagiarism;
Writing
"This accusation [plagiarism] is dangerous because, even
when it is false, it may be sometimes urged with probability.
Bruyere declares, that we are come into the world too late to
produce anything new, that nature and life are preoccupied, and
that description and sentiment have been long exhausted. It is,
indeed, certain that, whoever attempts any common topic, will
find unexpected coincidence of his thoughts with those of
other writers; nor can the nicest judgment always distinguish
accidental similitude from artful imitation. There is likewise
a common stock of images, a settled mode of arrangement, and a
beaten track of transition, which all authours suppose themselves
at liberty to use, and which produces the resemblance generally
observable among contemporaries. So that in books which best
deserve the name of originals, there is little new beyond the
disposition of materials already provided; the same ideas and
combinations of ideas have been long in the possession of other
hands."
Johnson: Rambler #143 (July 30, 1751)
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1,226. Originality; Plagiarism;
Writing
"The authour who imitates his predecessors only by furnishing
himself with thoughts and elegances out of the same general
magazine of literature, can with little more propriety be
reproached as a plagiary, than the architect can be censured as
a mean copier of Angelo or Wren, because he digs his marble out
of the same quarry, squares his stones by the same art, and
unites them in columns of the same orders."
Johnson: Rambler #143 (July 30, 1751)
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1,227. Originality; Plagiarism;
Writing
"No writer can be fully convicted of imitation except there is a
concurrence of more resemblance than can be imagined to have
happened by chance; as where the same ideas are conjoined without
any natural series or necessary coherence, or where not only the
thought but the words are copied."
Johnson: Rambler #143 (July 30, 1751)
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1,228. Originality; Plagiarism;
Writing
"As not every instance of similitude can be considered as a proof
of imitation, so not every imitation ought to be stigmatised as
plagiarism. The adoption of a noble sentiment, or the
insertion of a borrowed ornament, may sometimes display so
much judgment as will almost compensate for invention; and an
inferior genius may, without any imputation of servility, pursue
the paths of the ancients, provided he declines to tread in
their footsteps."
Johnson: Rambler #143 (July 30, 1751)
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1,572. Originality; Writing
"The complaint, therefore, that all topicks are preoccupied, is
nothing more than the murmur of ignorance or idleness, by which
some discourage others, and some themselves; the mutability of
mankind will always furnish writers with new images, and the
luxuriance of fancy may always embellish them with new
decorations."
Johnson: Adventurer #95 (October 2, 1753)
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1,812. Originality; Writing
"To exact of every man who writes that he should say something
new, would be to reduce authors to a small number; to oblige the
most fertile genius to say only what is new, would be to
contract his volumes to a few pages. Yet, surely, there ought to
be some bounds to repetition; libraries ought no more to be
heaped for ever with the same thoughts differently expressed,
than with the same books differently decorated."
Johnson: Idler #85 (December 1, 1759)
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